Monday, 30 April 2012

PUSH-UPS: Kimberley Chambers

So, what you pushing right now?
The Schemer. It comes out June 21st.

What’s the hook?
It's a nostalgic look back at the eighties, first love, betrayal, and skulduggery. Has a bit of a whodunnit theme too.

And why’s that floating your boat?
I feel The Schemer has the best ending out of all my books. It's also the first with my new publisher, so that's exciting stuff too.

When did you turn to crime?
Many years ago. I first got arrested at fourteen : ))

Hardboiled or Noir, classic or contemporary?
Gritty family sagas

And, what’s blown you away lately?
Mandasue Heller's "Lost Angel". Top girl !! Top book !!

See any books as movies waiting to happen?
My trilogy. The Feud, The Traitor and The Victim.

Mainstream or indie - paper or digital?
Paper.

Shout us a website worth visiting …

Best Crime Books.co.uk

Finally, tell us any old shit about yourself …Every one of my novels have been written with good old pen and paper. I can't, and wouldn't want to
write any other way.

Thursday, 26 April 2012

QUICK-FIX: Doug Johnstone

Right now I’m reading …

Just finished How Soon Is Now? (Faber) by Richard King, a brilliant history of British indie music. Currently re-reading Stona Fitch’s fantastic Printer’s Devil (Two Ravens) and also just started William Gay’s Twilight (Faber) which my editor recommended to me.

Three things I can see from my writing chair are …

Piles of books. Piles of old Casio keyboards. My sunburst Fender Stratocaster.

The biggest time-suck that stops me writing is …

Kids. Bless 'em.

It might surprise you but I like reading …

Maps.

The fictional character I’d most like to meet is …

Begbie. I’m sure I’d be able to find his softer side. If not, at least we’d get served at the bar quickly, eh?

One writer who should be much better known is…

Matthew F Jones. His novel A Single Shot was the best book published last year. It’s apparently getting the Hollywood treatment, so he probably will be much better known soon.





:: Visit Doug at: http://dougjohnstone.wordpress.com/

Monday, 23 April 2012

Murder Mile - reviews

Couple of very nice reviews in over the weekend for Murder Mile.

"Comparisons with Rebus will be obvious. But that would be too easy ... Black has put his defiant, kick-ass stamp on his leading man, creating a character that deftly carries the story through every razor-sharp twist and harrowing turn. DI Rob Brennan is my new star on the capital's murder mile. And you can't help but think Rebus would approve."

"Murder Mile is the second outing for DI Rob Brennan, a complex and brooding character who makes Rebus look positively chipper by comparison ... With Murder Mile Tony Black has put the heart back into the serial killer novel. It’s dark, yes, and deeply unpleasant in places, as it should be, but he hasn’t played to shock and there’s a refreshing lack of cheap gore. Rob Brennan is the perfect guide to follow through the criminal underworld, a bundle of rage and righteousness, and after reading Murder Mile the next fictional DI you come across will have a lot to live up to."

Huge thanks to Shari Low at the Daily Record and Eva Dolan at Crime Fiction Lover. Really is fab to get such feedback!

Tone

Thursday, 19 April 2012

PUSHED FOR ANSWERS: Bob Mayer

Bob Mayer is a man who knows something about selling eBooks - having shifted half-a-million of them in the space of a year.

Being a NY Times bestselling author and having a backlist of 40 titles helped, but there is more to his success - he's emphatic about that.

In the latest in a series of articles about the future of publishing (Mick McCann, Aaron Wise, Kevin Duffy)
Pulp Pusher talked to Bob about how he views the changing landscape.




PULP PUSHER: You’ve had an interesting experience with eBooks since dipping your toe in th
e murky waters in Jan 2011 … What do you put this success down to?

BOB MAYER: I have to be honest and say having the rights to over 40 titles from my backlist gave me a huge advantage. But the real key was making a commitment. Making the 100% leap from traditional to indie publishing. It was a gamble.

Also, it was key to form a team. I think it’s very hard to make it on your own. Between Jen Talty and me we had the expertise in both publishing and the digital world to succeed. We’ve written The ShelfLess Book: The Complete Digital Author chronicling our experiences going from selling 347 eBooks in January 2011 to almost half a million for the year.

Can anyone emulate those results?

As noted, over 40 titles of backlist traditionally published makes it hard to emulate if you don’t have that. But there are certainly people who’ve started from scratch and been very successful. The things I see that are key are consistency and focusing on content rather than promotion. Realizing it’s a marathon, not a sprint.

That sounds contrary to many eBook author’s tactics … do you think some authors are over-selling themselves?

Definitely. The focus should be on building community, not marketing. Especially for new authors. I get a dozen or so “check out my books” emails from Goodreads every day and it’s numbing. People are getting overwhelmed with writers promoting themselves. You have to be different. You have to find a niche and then establish yourself there by contributing, not by marketing.

You run a publishing venture called WHO DARES WINS … tell us about that?

The first thing is that we’re changing the name. We’ve grown so quickly and changed so much, that we feel that’s a bit too military. We’re changing over to Cool Gus Publishing (Gus being my yellow lab). We’ve got eight authors. Right now we’re looking for authors who were traditionally published and have backlist and for nonfiction authors who have a solid platform.

We’re a real publisher, not a service, meaning that money flows from us to our authors. So we’re also very selective on how we contract with.

Tell us about some of the titles on your lists?

We have Colin Falconer, a bestselling author in Australia whose agent was never able to get him a deal with one of the Big 6 here in the US. Jen Talty’s romances along with Mary Reed McCall’s romances sell well.

Our biggest sellers are my Area 51 and Atlantis series. My Black Ops thrillers also sell well along with my Green Beret series.

How did you come by your authors?

Most came to us. I find that authors, overall, are very afraid of the digital world. I’ve had some authors shy away and I feel like they missed out on a great opportunity. Fear rules a lot of the industry and the rewards go to those who are willing to take risks. We give the highest royalty rates in publishing and we’re very responsive. We can get a backlist title up and selling usually within a month.

Are you looking for anything in particular in terms of genre or content?

As mentioned—no new fiction. Backlist and nonfiction with platform.

You’re not exclusively selling eBooks, some are paper titles …

We do print on demand, which is great because we can order as few as one book if need be. However 99% of our fiction sales are eBooks. For nonfiction we handsell quite a bit at conferences of the ShelfLess Book; Write It Forward and The Novel Writers’ Toolkit.

Do you see the importance of paper publishing diminishing?

Yes. Shelf space will diminish. But there will always be a demand for print books. Especially in nonfiction where people tend to want the actual product in hand.

In general, how do you see the publishing landscape in the future, short and long term?

I believe it’s going to go digital much faster than most expect. The distance and time between author and reader is wifi and almost instantly. Distribution is no longer king, discoverability is.

Traditional paper publishers aren’t doing so well at the moment, are they doing something wrong?

They’re actually doing all right because digital sales are making up for their losses in paper sales. They’re changing over and will survive, but they will be leaner and more efficient. They are going to have to change the way they treat authors. Before their focus was on distribution. Now their focus has to be on facilitating author-reader relationships.

If you were to give the Big 6 some advice/tips about facilitating author-reader relationships, what would it be?

Pay attention to backlist. Consider erasing advances that haven’t earned out and do profit sharing with authors, otherwise your authors have no incentive to promote. Actually they have a disincentive to promote in the vain hope of getting their rights back. Or do reverse royalties, giving the rights back to authors and then having them pay you a percentage.

No one walks into a bookstore and says “I want the next Random House” yet publishers act that way. Readers want the next book from their favorite author or in their favorite genre.

Consider doing aggregates for similar authors.

Bottom line: consider your midlist authors as important parts and realize that distribution is no longer key. Discoverability is.

It’s a time of massive change for readers, writers and publishers … is it a good time to be any of the above?

It’s the best time ever to be a writer. You are no longer constrained by distribution and the gatekeepers. The field is very crowded, but if you have determination and focus on building content (writing) and building community (instead of promotion), you can succeed.

---

:: Find out more about Bob at his website http://www.bobmayer.org/

Sunday, 15 April 2012

QUICK-FIX: Cathi Unsworth

Right now I’m reading …

…White Chappell, Scarlet Traces by Iain Sinclair. I’m re-reading a lot of London fiction for a lecture I’m giving in June at Gresham’s College about contemporary London crime fiction. This 1987 novel is pretty pivotal to the shape of things that came after, perhaps because it addresses the most potent things that came before – Jack the Ripper, Sherlock Holmes, Dickens, Hawksmoor, the old Jewish East End…

Three things I can see from my writing chair are …

…my garden, which is a shady, basement garden, the steps that lead to street level, and an assortment of people walking by, from little old ladies going to the church at the end of the street, to local flaneurs who have a circuit they follow at the same time every day. One of which always stops at the top of my steps and stares at me without smiling.

The biggest time-suck that stops me writing is …

…having to do a day job.

It might surprise you but I like reading …

…about gardening and the countryside. Yes. You can take the broad out of Norfolk, but…

The fictional character I’d most like to meet is …

…Miss Smith from Beverly Nichols’ The Wickedest Witch in the World. She’s sort of my role model.

One writer who should be much better known is…

…Jayne Joso. Check out her books The Perfect Architect and Soothing Music for Stray Cats. They are not crime novels, but Jayne has a way of writing about contemporary life that is both clever and compassionate and takes note of all the little cracks and crevices most of us walk straight by. Her writing reminds me of another vastly underrated author with an ear for those who struggled to get heard, Jean Rhys.

:: More about Cathi at her website: http://cathiunsworth.weebly.com/

Tuesday, 10 April 2012

PUSHED FOR ANSWERS: Len Wanner

For the last few years Scotland's crime writers have been mercilessly stalked.

The perp, who dresses in natty leather shorts and handle-bar mustache, allegedly, is known as Len Wanner - a German Irishman with enough time on his hands to be a PhD student.

Pulp Pusher tried to speak to the man, but got nowhere. The few useable bits of that conversation are featured below, minus the stuff about Wanner's love of the Swiss-German television series Heidi.

PULP PUSHER: Why is such a nice, sensible fellow as yourself interested in all these crime-ridden minds?

LEN WANNER: Self-preservation. A few years ago I asked myself: “How will I survive the literary revolution?” That’s when I decided to talk to crime writers.

Tell us about your current university studies?

Why? So it’s my fault when people fall asleep on your website? Ah sure, I aim to please: Currently, I’m finishing a PhD on Scottish crime fiction at the University of Edinburgh, charting the genre to and through 30 writers at work today. You’re one of them, so it might be your turn to be nice and sensible.

And a little about your background?

Where to start? Most biographies are boring until you get past the childhood chapters, so I’ll skip mine. All you need to know is that charm school held me down while my hoor’s ear strapped an Irish accent into Lederhosen. You’re picturing that, aren’t you? Pervert.

I believe the title, THE CRIME INTERVIEWS, has a story attached?

Have you been reading my diary, again? Well, as you know, Ken Bruen gave me the title ‘Dead Sharp’ for the paperback edition, which I liked, until it got the book shelved in the fiction section, where it seems more dead than sharp.

‘The Crime Interviews’ is as direct as crime writing, which I like even better, and it’s as close to ‘The Paris Review Interviews’ as copyright allows, which I like best of all. Why? Because the purpose of this collection is to do for crime fiction what The Paris Review Interviews have done for literature at large.

Did your subjects in THE CRIME INTERVIEWS match your expectations of them?

Not until you ordered that piper to play during our interview. Thanks for that. Do you have any idea how much fun I had transcribing your gravelly answers to his dulcet tones? I’ve been reading your books to that Teuchter sound track ever since. Result.

Which writer surprised you the most?

Apart from the piping surprise? Well, I didn’t expect you to give me a tour of Ayr in a lightning blue lady’s race car, nor did I expect to interview you in a shrine to Robert Burns. So the answer is probably ‘you’, though I was surprised by how often Allan Guthrie cries about his favourite movie, how naked Stuart MacBride is when he does his best writing, and how convincingly Craig Robertson bromanticises his indiscretions with black pudding. The ladies only surprised me when they weren’t surprised to hear any of this.

Did you find your interest in the subject had intensified or diminished after the book was finished?

Given the nature of the subject, do you really think the two should be mutually exclusive? I’ve spent so much time trying to get straight answers from your bipolar band of bards, it seems I’ve contracted your Caledonian Antisyzygy. So yes, my interest in Scottish crime fiction has intensified and diminished, and no, I’d rather not say in whose writing I’ve found and lost interest. What I will say is that William McIlvanney’s Strange Loyalties explains my relationship with Scottish crime fiction in more ways than its title.

The route to publication looked swift; was that linked to public appetite for crime fiction?

Did it? Well, I pitched this collection to my publisher long before it was complete and long before he was a publisher, so it doesn’t feel like we took the swift route. We’re both part of the public, though, so it’s a confident ‘yes’ to the second part of your question.

The tag, TARTAN NOIR, has become much derided; what's your opinion of it?

SPOILER ALERT. (That’s the answer to my PhD.)

And one from left-field: I believe Allan Guthrie conducted his interview in ladies underwear?

Do you want it back? Al told me you mailed that cheeky ensemble to him along with a note, saying: “If you don’t wear this, I’ll start drinking again.”

Nevertheless, he did sign you up for BLASTED HEATH...

He did, yes… Wait, so our wrestling session wasn’t filmed for Macbeth, the Musical? Oh, you little minx! Now I’m definitely sending you the bill for that leotard you ruined.

Will there be more works to follow from you soon?

Do you have a lot more questions? I’m a busy man. The Crime Interviews, Volume Two, should be out by the time I’ve answered your questions. It includes interviews with 10 more Scottish crime writers, ranging from the patron saint of Tartan Noir, William McIlvanney, to his legions of disciples, Tony Black, Craig Russell, and Gordon Ferris, all the way to the Marie Magdalene of Scottish letters, Denise Mina.

What about fiction ... fancy a stab?

Is that how you do things on the West Coast? Tempt the innocent to the dark side with a pun? I hope it’s a pun. If it isn’t, I HAVE NO IDEA WHAT HE’S TALKING ABOUT, YOUR HONOUR.

As for the fiction, it seems I’m more comfortable asking questions than answering them, so perhaps I should stick with the interviewing for now. There’s a third volume in the making, so watch this space.

The Crime Interviews is published by BLASTED HEATH

Len Wanner was born in the Alpine Republic of Bavaria in 1985. When his academic and civil service kept interfering with his reading, he left the country, and when University College Dublin, better known as the All-star Republic of Ireland, gave him a degree at the price of an accent, he left that country, too. Now moving in literary circles, he says he is no longer available as racket stringer, holiday animator, or Lederhosen model, though calls will still be charged at standard network rates. Having found his lady friend in the Almost Republic of Scotland, Mr Wanner is finishing a PhD on crime fiction at the University of Edinburgh, and freelancing as translator, interviewer, and editor of the literary journal, www.thecrimeofitall.com

Monday, 9 April 2012

REVIEW: The Times


"Tony Black's Edinburgh makes Ian Rankin's version seem sedate, polite and carefree… DI Rob Brennan, in his second outing, makes a strong case to assume the mantle of Edinburgh's leading fictional detective, vacant since the retirement of Rebus … he's immensely well drawn, and Black's dialogue and atmosphere crackle with authenticity."

-Marcel Berlins, The Times

Tuesday, 3 April 2012

MURDER MILE - Edinburgh launch


If you're in Edinburgh on Tues 17 April come along for some Tartan Noir chatter, maybe a glass of wine.

PUSH-UPS: Jochem Vandersteen

So, what you pushing right now?
Redemption (A Noah Milano Novelette)

What’s the hook?
Twenty years ago he tortured and killed a young boy. Now he is out of prison, ready to find redemption confronting the victim's parents. He hires Noah Milano, security specialist and son of LA's biggest mobster to protect him. When the unexpected happens it's up to Noah Milano to do what he thinks is right and make sure justice is done.

And why’s that floating your boat?
It’s a cool story and it’s got the best cover of my books so far.

When did you turn to crime?
After I read my first Spenser novel.

Hardboiled or Noir, classic or contemporary?
Contemporary hardboiled.

And, what’s blown you away lately?
Timothy Hallinan’s Simeon Grist novels.

See any books as movies waiting to happen?
Little Girl Gone by Brett Battles is a fantastic action movie on paper.

Mainstream or indie - paper or digital?
Digital indie.

Shout us a website worth visiting …

My own Sons of Spade of course and CrimeSpot which will take you to a lot of great crime blogs.

Finally, tell us any old shit about yourself …
I’m really happy with my group The Hardboiled Collective, a great group of writers who promote each other’s work. Also, I recently got a blurb from James W. Hall about a Noah Milano short story I was really happy with: 'The writing is fresh and vivid and lively, paying homage to the past while standing squarely in the present.'

That’s the kind of stuff that keeps me writing…



:: Visit Jochem at Sons of Spade