Tuesday, 29 May 2012

PUSH-UPS: Emlyn Rees

So, what you pushing right now?
My new race-against-the-clock thriller, HUNTED.

What’s the hook?

One Innocent Man VS 500,000 Misguided Angry Cops.  Danny Shanklin wakes up slumped across a table in a London hotel room he's never seen before. He's wearing a black balaclava, a red tracksuit and a brand new pair of Nikes. There's a faceless dead man on the floor and Danny's got a high-powered rifle strapped to his hands. He hears sirens and stumbles to the window to see a burning limousine and bodies all over the street. The police are closing in. He's been set up. They're coming for him...

And why’s that floating your boat?

Because that’s what London could turn into in the blink of an eye.

When did you turn to crime?
1997 and 1998 when I published The Book of Dead Authors and Undertow. Then I went a bit soft and co-wrote rom-coms like Come Together with my wife. But now I’m back doing what I like best.

Hardboiled or Noir, classic or contemporary?
Contemporary.

And, what’s blown you away lately?
The Psychopath Test by Jon Ronson. Truly enjoyable research. And Episodes on TV. I still like a good British comedy for taking my mind off the dark side.

See any books as movies waiting to happen?

Danny Miller’s brilliant new slice of 60's noir, Kiss Me Quick. It’s very now (even though it’s set in the 60’s!), very Mad Men, only with murder and intrigue thrown in. I’d love to see it as a Sunday night series.

Mainstream or indie - paper or digital?

I think there’s a time and a place for all of these things and the barriers between them are getting increasingly blurry.

Shout us a website worth visiting …

Here’s a link to a great new band I saw at Brighton’s Great Escape music festival. They’re called Melodramas. Brilliant EP out too. (And don’t worry, this isn’t an ad. I don’t know them, just think they’re pretty darned good.)

http://musicalcpr.com/2012/03/05/melodramas-kids-ep/#comment-99

Finally, tell us any old shit about yourself …
I came 4th in this year’s Fiery Food Festival National Chilli Eating Contest. And just in case you don’t believe me, here’s a photo in the local rag that proves it (I’m the gurning bald bloke on the left):







:: Find out more about Emlyn Rees at: http://emlynrees.com/

Friday, 25 May 2012

QUICK-FIX: Paul D. Brazill



Right now I’m reading …

I’ve literally just finished William Ryan’s The Bloody Meadow, which is beaut, and I’m about to start Mr. Glamour by Richard Godwin.

Three things I can see from my writing chair are …

A record player, a piano, a demi-john filled with bubbling red wine.


The biggest time-suck that stops me writing is …

The internet and all its bastard offspring.

It might surprise you but I like reading …

Happy endings.

The fictional character I’d most like to meet is …

Kilgore Trout - a writer of pulp novels, a man who has travelled to other planets and a very funny man. What could be nicer than that?

One writer who should be much better known is…

Ian Ayris -with his brilliant début novel, Abide With Me, Ayris has given us a book that can be enjoyed by fans of crime fiction, social realism, football and people who don't read that much at all.


:: Paul D. Brazill is the co-editor of the anthology TRUE BRIT GRIT
Visit Paul at: http://pdbrazill.blogspot.co.uk/



Wednesday, 23 May 2012

REVIEWS - Murder Mile

Yes, it's blow your own trumpet time again here at Pusher Towers with the latest update in the seemingly endless rave reviews for MURDER MILE - as presented in all its finery to my left here.

Keeping up the trumpet metaphor for a wee mo', I'd have to say I'm blown away (yes, see what I did there? etc, etc) by the kindness of reviewers. God bless each and every one of you!

I'm still scratching my head as to what it is I've done to attract such raves, so just putting it all down to the natty cover of the cop zipping up after a quick wizz!

Anyway, in reverse order, with newest one from SHOTS on the end, here's the latest list of reviews:

"Tony Black's Edinburgh makes Ian Rankin's version seem sedate, polite and carefree … DI Rob Brennan, in his second outing, makes a strong case to assume the mantle of Edinburgh's leading fictional detective, vacant since the retirement of Rebus … he's immensely well drawn, and Black's dialogue and atmosphere crackle with authenticity."
- The Times

"This up-and-coming crime writer isn't portraying the Edinburgh in the Visit Scotland tourism ads ... a convincing portrayal of Edinburgh low-life and police rivalries."
- The Sun

"Comparisons with Rebus will be obvious. But that would be too easy ... Black has put his defiant, kick-ass stamp on his leading man, creating a character that deftly carries the story through every razor-sharp twist and harrowing turn. DI Rob Brennan is my new star on the capital's murder mile. And you can't help but think Rebus would approve."
- Daily Record

“An authentic yet unique voice, Tony Black shows why he is leading the pack in British crime fiction today. His deeply disturbing previous books have been labeled tartan noir, but Murder Mile is in a class of its own, from gripping beginning to shocking end. Atmospherically driven, the taut and sparse prose is as near to the bone you are ever likely to encounter in crime noir. Powerful.”
- New York Journal of Books

"Murder Mile is the second outing for DI Rob Brennan, a complex and brooding character who makes Rebus look positively chipper by comparison ... With Murder Mile Tony Black has put the heart back into the serial killer novel. It’s dark, yes, and deeply unpleasant in places, as it should be, but he hasn’t played to shock and there’s a refreshing lack of cheap gore. Rob Brennan is the perfect guide to follow through the criminal underworld, a bundle of rage and righteousness, and after reading Murder Mile the next fictional DI you come across will have a lot to live up to."
- Crime Fiction Lover

"This is no ordinary police procedural, folks. This is for those discerning readers who want more than a puzzle, it’s for those readers who want their intellect nudged while they plunge headlong into the whodunit. Murder Mile is a hugely satisfying read on all levels and comes highly recommended."
- Crime Squad

"What makes this book from Tony a wonderful read is his tight prose, solid arc and when backed with a character that is fully fleshed that feels like a familiar friend after a short time, makes this a title that is not only hard to put down but nigh impossible."
- Falcata Times

"Although Black's creation walks the same beat as Ian Rankin's DI Rebus, this representation of Edinburgh is much grittier and desolate ... a superior crime read."
- Hull Daily Mail

"Murder Mile is a terrific, unflinching, intense and harrowing look into the heart of the city's darkness, digging deeper than simple social realism and confirming Tony Black’s position as a master of Tartan Noir."
- You Would Say That, Wouldn't You

"Murder Mile is not only a tight, well written and thought provoking hunt for a serial killer but it is also a novel that shows you the dark side of Edinburgh ... a well-paced police procedural that has a twist to the end that will leave you astonished at the ingenuity of it." 
- SHOTS


:: Read more reviews of MURDER MILE at Amazon

Monday, 21 May 2012

PUSH-UPS: Wallace Stroby

So, what are you pushing right now? What’s the hook?
The new book is KINGS OF MIDNIGHT, a sequel to last year’s COLD SHOT TO THE HEART. It’s my second novel about a female professional thief named Crissa Stone. In KINGS, she and an old-school wiseguy are chasing after $5 million in cash stashed away by a mob boss following the 1978 Lufthansa heist at New York’s JFK Airport. 

And why’s that floating your boat?
If you’re writing about high-end armed robbery in the United States, the Lufthansa heist was certainly the real deal in that respect. At the time, it was the largest cash robbery ever on American soil, with an estimated take of $8-$10 million (no one knows for sure). Almost none of the money was ever recovered. And being that almost all the principals are now dead (most of them murdered shortly after the robbery), it allows for a lot of fictional license. 

When did you turn to crime? 
I think what you write chooses you more than you choose it. As a kid, I read a little bit of everything, but as a teenager I gravitated toward crime fiction, especially after discovering Dashiell Hammett and James M. Cain. Later on, it was John D. MacDonald, Donald Westlake, Lawrence Block and their contemporaries, then James Crumley, James Lee Burke and others. For me, crime fiction was both an escape from the world, and a way to help make sense out of it. 

Hardboiled or Noir, classic or contemporary? 
In the end, definitions aren’t that useful. Genuinely classic novels feel contemporary, regardless of when they were written. “Hardboiled” is an egg recipe. And “noir” is just the French word for black, right?

And, what’s blown you away lately?
Finally catching up with the dark brilliance of BREAKING BAD on DVD. Best television crime writing since THE WIRE. Equally haunted by recent viewings of Jean-Pierre Melville’s 1969 film ARMY OF SHADOWS, about the French Resistance.

Mainstream or indie - paper or digital?
Human beings love narrative, in whatever form. It’s in our DNA. Regardless of the technology involved, a good story well told will always find an audience.

Shout us a website worth visiting … 
There are lots of great sites filling the gap left by the drop in books-related coverage in mainstream media. In a lot of cases, the online writing is far superior, especially when it comes to covering crime fiction. I’m fond of the newly launched Los Angeles Review of Books (http://lareviewofbooks.org/), as well as sites such as Pulp Serenade (www.pulpserenade.com) and The Violent World of Parker (http//violentworldofparker.com). 
Finally, tell us any old shit about yourself …
Here’s five things, One of them is a lie:
1.) I’ve seen TAXI DRIVER fourteen times.
2.) Bruce Springsteen once borrowed my DVD of Monte Hellman’s TWO-LANE BLACKTOP.
3.) Years ago, I had a conversation with Stephen King while standing at adjoining urinals at the New York Hilton.
4.) I went skydiving once, landed in a tree and had to be rescued.
5.) I once hit a Catholic nun in the back of the head with an orange (by accident).

Anyone who wants to take a guess as to which one's a lie can drop me an e-mail at wallace@wallacestroby.com. I’ll pick two winners at random from the correct responses, and send them signed copies of the new trade paperback of COLD SHOT TO THE HEART. But be warned, I’m a good liar.

Monday, 14 May 2012

QUICK-FIX: Les Edgerton

Right now I’m reading …
I usually have several books at a time open. Presently, those are Stagger Bay, Dead Man’s Dust, and The Bastard Hand. Just finished Paul D. Brazill’s amazing anthology, Drunk on the Moon featuring a bunch of great writers.


Three things I can see from my writing chair are …
The street in front of me with some screaming kids, my calendar which is showing the month of February, and Gordon Ramsey on the television screaming at some loser chef... Everybody seems to be screaming…


The biggest time-suck that stops me writing is …
All those times when I have to come up with an alibi and wait for them to check it out… Cops just seem to be naturally slow…


It might surprise you but I like reading …
No surprises at all. I’m at the age I don’t read to impress anyone else and only read what I enjoy and mostly I enjoy reading noir and crime fiction. About the only departures are whenever Chris Moore comes out with a new novel.


The fictional character I’d most like to meet is …
Fireball Roberts. If you don’t know that is, you’re at the wrong blog…

One writer who should be much better known is…

A lot! For just one, I’ll go with Jake Hinkson. Amazing frickin’ writer. One more—Sean Carswell.


:: Visit Les at: 


Friday, 11 May 2012

THE STORM WITHOUT - June 2012

If you've been reading the Ayrshire Post these last 30-odd weeks you might have stumbled across The Storm Without which has been serialised there.

If not, well, here's the hook:

Still recovering from the harrowing case that ended his police career, Doug Michie returns to his boyhood home of Ayr on Scotland’s wind-scarred west coast. He hopes to rebuild his shattered life, get over the recent failure of his marriage and shed his demons, but the years have changed the birthplace of the poet Robert Burns.

When Doug meets his old school-day flame Lyn, however, he feels his past may offer the salvation of a future.  But, Lyn’s son has been accused of murder and she begs Doug to find the truth. 

Soon Doug is tangled in a complicated web of corrupt politicians, frightened journalists and a police force in cahoots with criminals.  Only Burns’ philosophical musings offer Doug some shelter as he wanders the streets of Auld Ayr battling The Storm Without.


I had an absolute blast with this one, which I set in my old home town. (I tried to be as kind as I could, folks!)

Doug is a an ex-cop who falls into the investigator's role - so he's sitting somewhere between DI Rob Brennan and Gus Dury. But, I'd say less morose than Rob, and a bit more even-tempered than Gus. A bit.

Oh, and the dude on the jacket is Chris Taylor - an actor and dramatist from Ayr - who you might have seen on the telly once or twice.

THE STORM WITHOUT is being published by McNidder & Grace in paperback in June, and in eBook by Blasted Heath. You can pick up both versions on Amazon.

Thursday, 10 May 2012

True Brit Grit On The Box And Big Screen



By Paul D. Brazill

A bit back, I wrote an article for The Sabotage Times about Brit Grit television. I took a gander at three shows in particular, Public Eye, Gangsters and Cracker. All were in-your-face, hard-hitting crime dramas from the ‘60s, ‘70s and ‘80s respectively.

And now, it looks like a bunch of the writers that have contributed to the True Brit Grit  charity anthology that I co-edited (with Luca Veste)  are going to be putting the grit back on the box.

Pulp Pusher’s own Tony Black, for example, is due to have his intense crime novel Long Time Dead made into a film, directed by Richard ‘Jobbo The Yobbo’ Jobson. And Black’s debut, Paying For It, is due to have the television treatment.

And there’s more.

Howard Linskey’s critically acclaimed The Drop is being adapted for the small screen by JJ ‘Layer Cake’ Connolly, no less!

Sheila Quigley’s Seahills Estate debut, Run For Home, has been scheduled to be made into a telly series, too.

Adrian Magson’s first Harry Tate novel, Red Station, is due to blast out on to big screen as the start of a franchise to equal that of Jason Bourne!

So, whose next?

Certainly, Matt Hilton’s Joe Hunter thrillers would make great high-octane action cinema and wouldn’t someone like to be able to get a handle on Charlie Williams’ blackly-comic Mangel books or Ray Banks’ poignant Cal Innes Quartet?

So, if you want to get a taste of these stars in the making, you could do worse than pick up True Brit Grit- A Charity Anthology.

Here’s the blurb:

"The BRIT GRIT mob is coming to kick down your door with hobnailed boots. Kitchen-sink noir; petty-thief-louts; lives of quiet desperation; sharp, blood-stained slices of life; booze-sodden brawls from the bottom of the barrel and comedy that’s as black as it’s bitter—this is BRIT GRIT!"

45 British writers, 45 short stories. All coming together to produce an anthology, benefiting two charities...

Children 1st - http://www.children1st.org.uk/

and

Francesca Bimpson Foundation - http://www.francescabimpsonfoundation.org

The line up...

Introduction by Maxim Jakubowski

1. Two Fingers of Noir by Alan Griffiths
2. Eat Shit by Tony Black
3. Baby Face And Irn Bru by Allan Guthrie
4. Pretty Hot T’Ing by Adrian Magson
5. Black Betty by Sheila Quigley
6. Payback: With Interest by Matt Hilton
7. Looking for Jamie by Iain Rowan
8. Stones in Me Pocket by Nigel Bird
9. The Catch and The Fall by Luke Block
10. A Long Time Coming by Paul Grzegorzek
11. Loose Ends by Gary Dobbs
12. Graduation Day by Malcolm Holt
13. Cry Baby by Victoria Watson
14. The Savage World of Men by Richard Godwin
15. Hard Boiled Poem (a mystery) by Alan Savage
16. A Dirty Job by Sue Harding
17. Stay Free by Nick Quantrill
18. The Best Days of My Life by Steven Porter
19. Hanging Stanley by Jason Michel
20. The Wrong Place to Die by Nick Triplow
21. Coffin Boy by Nick Mott
22. Meat Is Murder by Colin Graham
23. Adult Education by Graham Smith
24. A Public Service by Col Bury
25. Hero by Pete Sortwell
26. Snapshots by Paul D Brazill
27. Smoked by Luca Veste
28. Geraldine by Andy Rivers
29. A Minimum of Reason by Nick Boldock
30. Dope on a Rope by Darren Sant
31. A Speck of Dust by David Barber
32. Hard Times by Ian Ayris
33. Never Ending by McDroll
34. Imagining by Ben Cheetham
35. Escalator by Jim Hilton
36. Faces by Frank Duffy
37. A Day In The Death Of Stafford Plank by Stuart Ayris
38. The Plebitarian by Danny Hogan
39. King Edward by Gerard Brennan
40. This Is Glasgow by Steven Miscandlon
41. Brit Grit by Charlie Wade
42. Five Bags Of Billy by Charlie Williams
43. It Could Be You by Julie Morrigan
44. No Shortcuts by Howard Linskey
45. The Great Pretender by Ray Banks

Get stuck in there!

Saturday, 5 May 2012

Sugar by Jake Nantz

First time I saw her, she was steppin’ on my action. I was okay with it though, ‘cause she was hot. Strolled through the door in spikes and a skirt, little grey sweatshirt hanging off a shoulder. Nothing but a bikini top under it.

Oh yeah, and holding the heater.

Fucking gun was as big as she was. Walks in, shoots the guy behind the counter, points it at me. I tried to play it cool, wasn’t the first time I stared down a barrel, but my hard-on didn’t help things. Fuck, she was hot. Popping her chewing gum, too. That shit gets me every time.

“You s’posed to put your hands up and scream, honey.”

“Nah, not my style.” That’s right. Straight cool, hands at my side.

She wagged the gun at me. “Gimme whatever you got, I might let you live.” Snap. Pop.

“Sugar, you’re either gonna shoot me or not. You want what I got…” —that’s right, dig that innuendo— “…then you can come over here and take it whether I’m breathin’ or not.” Took a breath, studied her. “So, do you want it?”

She smiled. A little. “Got that right.” Pop. Snap. “Whas’ your name, tough guy?”

Hell yeah. “Keesey. Mike Keesey,” I lied. “You?”

A glance at my crotch. “Don’t look like you much care.” Another smile. Bigger. Time to take a shot of my own.

“Okay Sugar, I’ll call you whatever you want. But right now I need to know what you’re gonna do, ‘cause I just got out a couple months back and I don’t feel like getting caught with you just ‘cause you’re gonna fuckin’ stand there.”

She took her damn time deciding. Finally lowered that big Smith and Wesson, gave me a sly grin. Snap. Pop. “What, you wanna get in on this?”

I lifted my jacket in back, pulled my Glock. Grinned myself. “Planning to rob this place anyway, Sugar.”
Startled her when I showed my piece, but she recovered well. Snap. Smile and wink. Pop. “You got a car here?”

I shrugged, looked at the pool of blood creeping around the side of the counter. “No, but I bet he does.”

Grin. Pop.

She got his keys, I got the register and pulled the surveillance tape. She stopped me on the way out the back, grabbed a box of jimmies and winked again. Fuck yeah.

The clerk’s car was a shitty little blue Ford Escort. Pretty sure it was older than Sugar. I smeared some mud on the plate and we were off.

We made three stops that first night. Once to switch cars, twice to switch license plates with some other shitty cars. By the time we got to a motel to crash, I could barely zip my jeans back up for all the gum. Still gives me wood just thinkin’ about it.

The drawer only had a couple hundred bills in it, so we picked a cheap spot. Low rent.

“So, Sugar. You got any big master plan you wanna let me in on? Or we just gonna small time it for a while?”

A pout. Her lower lip stuck out, a little of me still glistening on it. “Who said I gotta tell you anything? You got a problem with how it’s gone so far?”

“Nope. Just thought I’d get to be more than a dildo with a gun.”

She rolled her eyes. “Keep talking like that, the dildo’s all I’ll take with me.”

I held my hands up. “Okay Sugar. Okay. I just thought some of my expertise might help here, that’s all.”

Her lips curled up. A smile, but it was ugly and mean. “You were in the joint, right? Sounds like your expertise ain’t so expert.”

Bitch. I thought about shooting her, but then she popped that gum again. I gotta stop thinking with my dick.

She rolled over and kissed me hard enough to draw blood. “Relax, Keesey. Tomorrow we hit a mom-and-pop on route 74 I know of. The safe is theirs, so they have to know the combo. I’ll even let you do the shooting this time, once we got the money.” She winked, her eyes a deep pool of mischief.

Satisfied I was gonna get my gun off, I pulled her to me and yanked up her skirt. Nothing underneath 'cept them heels. Fuck yeah.

****

Next day we paid cash for the room, walked across to the shitty strip mall. I hotwired a gray Honda while she switched the plates with another gray Honda. There’s an assload of ‘em on the roads these days, so we thought it’d be easier to hide in one. We agreed to find another gray one and switch plates again before the job. She said there wouldn’t be enough time after, and I figured she was probably right.

Two hours and a plate-switch later, she pulled into the mom-and-pop gas station. I didn’t see anyone but the cashier inside, a little old man. Good. I pulled my Glock, put it in my belt under my shirt.

“Ready, Sugar?”

“You go in first, take the clerk in the back where the safe is. I’ll come in after and man the front. That way if someone comes in, it looks legit.”

I thought that was pretty smart. Turns out it was, but not like I figured.

I went in. The old geezer bent over a newspaper, barely looked up when the door chimed. He didn’t even flinch when I shoved my piece in his face. Just kinda sighed. Guess he was used to it.

“Where’s the safe?”

His shoulder slumped. “In the back.”

“C’mon Geezer.” I wagged the gun toward the back and he led the way. He walked like his whole body hung from a meat hook. I was doing him a favor and putting him out of his misery, poor bastard.

We walked past the shitters on the way to the little office. Man, roadside gas stations have the nastiest bathrooms on earth, and this one was no different. The smell assaulted me. Geezer didn’t seem to notice. The offending odor was probably his anyway.

‘Bout the time we got to the office, I heard the door chime. Sugar was coming in to cover the front.

The office wasn’t much bigger than a closet. A desk with more paper and shit than a redwood forest dominated the room. Behind it was the safe.

“Open it, and do it fast.”

Geezer nodded and bent down, worked the combo dial. When he opened it, I saw he had a little .380 in there waiting for me. You just can’t trust these clerks at all, man. I called Sugar in there, and she took the loot from the safe out to the car. I kept the .380 and the old man with me.

When I heard the chime twice, I knew she was back in the building. Asked Geezer if he had any last requests. He said a prayer, then nodded. Thought that was pretty nice of me, tell ya the truth, to let him pray and shit. Then, I shot him in the back of the head.

That’s when shit went wrong. Real wrong.

I heard a siren out front, and a scream. Sugar was screaming, and I knew we were caught. Well, I was right about the caught, just not the ‘we.’

I left the money and bolted out the back, right into the arms of a State Trooper. I tried to bring my gun up, but he slugged me right in the balls. After the hard riding I had the day before, my Johnson wasn’t up for that. I dropped the Glock and hit the ground grabbin’ my crotch and whimpering. Yeah, I whimpered, you gonna say something about it? Didn’t think so.

Next thing I know, my hands are locked behind me and I’m being pushed back through the store. And there’s Sugar, talking to the cops outside and cryin’ her eyes out.

My fucking money in that gray Honda, and she’s sobbing to some fat trooper. I even caught her smiling at me for a second when that porker turned his head. Snapped her gum, too. Sneaky fucking whore.

So she plays like she just pulled up in her gray Honda right before the smokies did. Bitch tripped the silent alarm when I went in the back, and here comes the heat. She cries for half an hour, they don’t even search her, and I go up for murdering some old coot I didn’t even know.

That’s alright, though. The guy in the next cell has a way to get out of here. And the first thing I plan on doing is finding me some chewing gum.

REWIND<< This story first appeared on the original Pulp Pusher site.

Friday, 4 May 2012

Another top-notch review for MURDER MILE in from The Sun ... was in a few days ago but just got a nice cutting sent through:



"This up-and-coming crime writer isn't portraying the Edinburgh in the Visit Scotland tourism ads ... a convincing portrayal of Edinburgh low-life and police rivalries." 

- The Sun

The reviews are stacking up nicely on Amazon as well, and a couple on Goodreads, if you're one of the reviewers who thought enough about the book to write up a few pars, my everlasting thanks! These things really do make all the difference, so ta muchly!

All the reviews for murder mile are up at www.tonyblack.net

Wednesday, 2 May 2012

R.I.P Robbie Silva


Next cab of the rank from me is, R.I.P Robbie Silva, a bit of a heist novel and definitely the most fun I have ever had in the writer's chair. Here's the hook ...

Jed Collins, fresh from jail, is struggling to go straight when he hooks up with  wild child Gail. Before long Jed's back to blagging - with Gail in tow. But Jed has a past, and Gail has a secret about her gangster father she wants to keep under wraps. In R.I.P Robbie Silva, one week in the Scottish capital for Jed and Gail turns into a bloody rollercoaster ride that leads straight to hell.

Early reads have been beyond generous, with Irish noir master Ken Bruen coughing up this beaut of a blurb:
 
''Tony Black is the Tom Waits of Crime fiction, yes, that good.''
  -Ken Bruen 

How could I not be chuffed to bits with that?

:: R.I.P Robbie Silva is coming soon from Blasted Heath





Tuesday, 1 May 2012

Murder Mile has been in the shops a couple of weeks now and the reviewers - God bless them - have been very kind. Here we go with the pick of the crop ...

"This is no ordinary police procedural, folks. This is for those discerning readers who want more than a puzzle, it’s for those readers who want their intellect nudged while they plunge headlong into the whodunit. Murder Mile is a hugely satisfying read on all levels and comes highly recommended."

- Crime Squad

"Murder Mile is the second outing for DI Rob Brennan, a complex and brooding character who makes Rebus look positively chipper by comparison ... With Murder Mile Tony Black has put the heart back into the serial killer novel. It’s dark, yes, and deeply unpleasant in places, as it should be, but he hasn’t played to shock and there’s a refreshing lack of cheap gore. Rob Brennan is the perfect guide to follow through the criminal underworld, a bundle of rage and righteousness, and after reading Murder Mile the next fictional DI you come across will have a lot to live up to."

- Crime Fiction Lover

"Tony Black's Edinburgh makes Ian Rankin's version seem sedate, polite and carefree … DI Rob Brennan, in his second outing, makes a strong case to assume the mantle of Edinburgh's leading fictional detective, vacant since the retirement of Rebus … he's immensely well drawn, and Black's dialogue and atmosphere crackle with authenticity."

- The Times

“An authentic yet unique voice, Tony Black shows why he is leading the pack in British crime fiction today. His deeply disturbing previous books have been labeled tartan noir, but Murder Mile is in a class of its own, from gripping beginning to shocking end. Atmospherically driven, the taut and sparse prose is as near to the bone you are ever likely to encounter in crime noir. Powerful.”

- New York Journal of Books

"Comparisons with Rebus will be obvious. But that would be too easy ... Black has put his defiant, kick-ass stamp on his leading man, creating a character that deftly carries the story through every razor-sharp twist and harrowing turn. DI Rob Brennan is my new star on the capital's murder mile. And you can't help but think Rebus would approve."

- Daily Record




:: The fine reviews continue over at Amazon