Friday, 29 June 2012

THE STORM IS A'STORMIN..!

The Storm Without eBook came out through Blasted Heath a short time ago and it's already started to clock up respectable sales - hitting the Top 30 in Amazon UK's police procedurals chart - I know, not exactly worrying Fifty Shades but this is an achievement I am particularly proud of given the fact that it isn't even a police procedural.

If you've visited Storm's Amazon page you'd likely spot the first couple of great reviews from, firstly, none other than the Guvnor of Celtic Noir himself, Mr Ken Bruen: 

 "This is the Great Scottish Novel, got it all and just a wee shade more ... Classic."

Isn't it a beauty. God bless the man.

And, not to be forgotten, those delightful folks at Undiscovered Scotland, coughed up this belter:

"Highly entertaining, fast paced and tightly, almost sparingly, written"
 
I've been on the road pimping the said tome - this week I was in Troon, where the Rabbie Burns content (protagonist PI Doug Michie likes to quote the bard) picked up a rapturous welcome and earned me an invite to a Burns club. Will have to get my Selected Poems of Burns out cos there may well be a recital of Tam O'Shanter on the cards.

Oh, and the excellent book trailer put together by Chris Quick of Quick off the Mark Productions and featuring Chris Taylor of Hipshot Theatre in the role of Doug Michie has been racking up some good business on the old YouTube ... a reminder for those arriving late:



Whilst I'm at this reminding lark, it's worth mentioning the Blasted Heath eBook is going shocking cheap at £1.99 - part with your coffers here: Amazon UK - or if you're in the USA, you need only part with a few dollars and cents at Amazon USA.

And if it's the paperback you're after just click on the alternative cover up there to your right - and yes, that's Mr Taylor on the cover, put together by McNidder & Grace, he gets about.  

PUSHED FOR ANSWERS: Gary William Murning

In the latest of a series of interviews designed to lift the lid on the rapidly shifting landscape in the publishing world PULP PUSHER talks to inde author Gary William Murning about his diverse output.
 
PULP PUSHER: For those readers not familiar with your output, give us a quick taster ...

GARY WILLIAM MURNING: Three novels to date: If I Never—a quirky cross-genre love story cum thriller, published by Legend Press; Children of the Resolution—a heavily autobiographical coming-of-age story feeding on my experience of the introduction of integrated/inclusive education for children with physical disabilities in the 1970s, published through Lulu (didn't fit the Legend Press brief); and The Realm of the Hungry Ghosts—a hopefully thought provoking literary horror novel that explores human need.

It's safe to say it's not the kind of 'easy pitch' the Big Six publishers go for ...

Oh, yes, very safe to say! You know, I've tried writing neat, easily pigeonholed pieces numerous times and it just doesn't work out that way for me. It's that old thing of if you don't write what you want to write, nine times out of ten it's going to turn out badly. I don't think the stuff I write isn't Big Six material. In fact, I think it would probably go down pretty well (in a Russell Hoban kind of way)—but getting it to them, finding an agent willing to champion what I do with the big boys, is tough. I actually used to get pretty close in the good old days before agents started acting as editorial filters for the big publishing houses. Came close with editors at houses like Doubleday and Andre Deutsch a few times. And then the industry changed! (This probably gives you some idea of just how long I've been writing and submitting!)

Did you have a difficult route to print?

I did, yes. A long and difficult route. I wanted the recognition of a "traditional" publisher. I didn't want to head down the self publishing route (which was becoming more popular even five or six years ago) without someone else having been prepared to invest in my writing first. Consequently, I collected many, many rejection slips before I finally got lucky.

You've chosen an interesting route to publish, establishing your own company, effectively ...

This is actually a very recent development. As I've said, I was originally published "traditionally"—and I'm actually in discussions regarding a new one with Legend at the moment—but not all of my stuff fits with them all that well and so I decided to have a bash at doing it myself with the novels they didn't want. I tried Lulu first and, whilst it isn't a bad service, I found it very limiting with regard pricing and book format—so, with the next one, I cut them out and went directly to their print on demand printer/distributor, setting myself up as a micro-publisher and handling every aspect myself. It was a lot of extra work but, frankly, nowhere near as much as you might expect.

How has that worked out for you?


Very early days, yet. Naturally, with the print on demand aspect (non-returnable) there are limitations. Getting books in high street stores is nigh on impossible (though as time goes on and I'm in a position to do print runs, this will change), but my main sales, even with If I Never, are actually online—so, in that regard, it isn't that much of a disadvantage. I think it's fair to say I'm going to need a fairly considerable lucky break to make a million from it, or even a reasonable living, but I think it's a worthwhile sideline to my more traditionally published stuff.

Has the recent upheaval - or new dawn, depending how you view it - been good for writers?

You know, I change my mind about this about three or four times a day on average. The choices available to writers, now, are fairly limitless. It is certainly true to say that publishers aren't needed in the way that they once were (I don't think we can completely dispense with them just yet—and, truthfully, I hope we never do). Writers can get their work out there and, if they apply themselves to the whole marketing/promotion gig, can do pretty well out of it, with a little luck. But getting noticed by readers is becoming increasingly difficult as a direct consequence of this. There is just so much out there—and it has to be said, whilst there are some real gems to be found, a lot of it is pretty substandard. Time will tell, I suppose. I think there are many more changes coming over the next few years—just don't ask me what they will be!

How do you see the eBook market shaping up in future?

I think it will continue to increase its dominance. Readers are already embracing eBooks in a huge way and it strikes me as inevitable that publishers will focus more and more on this area. I don't think the traditional book is dead just yet—but let's just say it's got a bit of a worrying cough. (And, yes, I'm a recent convert to Kindle. Up until a couple of weeks ago, I was still insisting I would never give up on traditional books … and then I tried the Kindle Touch. Now you will find me on street corners getting all evangelical about it. Bloody love it.)

And do you see publishers adapting and embracing or merely shrinking and conslodating like the music biz?

I think they may TRY to adapt and embrace, but there will have to be some shrinking and consolidating, I would think. In some respects, I think the industry might actually—to a degree—return to the older model of publishing, with more small independent publishing houses springing up (already happening) and gaining recognition through their willingness to put the less easily classified fiction out there. Either way, it's going to be an interesting few years. Especially for people who are prepared to try new things and explore the possibilities.

Would you actively seek a traditional publishing house now?

Absolutely, yes. I will continue to publish through my own company, but that will only ever be with fiction that doesn't fit with my existing traditional publisher and which I feel meets my usual standard. Controlling every aspect of the publication process yourself is extremely liberating (and fascinating), but it's additional work that, ideally, I could do without. I'd much rather be in a position where I was left alone to write, without having to break off now and then to sort out a distribution problem or whatever.


:: Find out more about Gary at: http://www.gwmpublications.com/

Thursday, 21 June 2012

PUSHED FOR ANSWERS: Stephen Leather


Stephen Leather is a name to reckon with. Just look at his self-published eBook sales stats, which put traditional publishers to shame. In the latest in a series of interviews exploring the shifting ground in publishing Pulp Pusher spoke to Leather about outselling Lee Child, and more besides.

PULP PUSHER: You seem to have landed the title 'self-publishing pioneer', do you like the tag or does it feel like a distraction from your previous publishing successes?

STEPHEN LEATHER: I think it’s a fair tag considering that I’ve been the most successful self-publisher in the UK. No one has sold more self-published eBooks than me in the UK.  And Lee Child is the only British author who sold more eBooks than me on Kindle worldwide last year and 1) he doesn’t self-publish and 2) most of his sales were in the US.   I don’t think it distracts from my mainstream success at all – it’s just that I have found an alternative way of reaching readers.

For those coming to your work for the first time, give us a quick bio ...

Former journalist turned writer with more than thirty novels under his belt. Check out my website, www.stephenleather.com   I have written 25 novels which are published by Hodder and Stoughton.  Of those 14 are stand alone thrillers, eight are in my Spider Shepherd undercover cop series, and three are in my Jack Nightingale supernatural detective series.  I have also self-published two novels in Thailand (as paperbacks and eBooks) and a further four books solely as eBooks.  I have also published eight short stories as eBooks.  My self-published eBooks are Once Bitten (a vampire novel), The Basement (a serial killer novella), Dreamer’s Cat (a science fiction murder mystery) and The Bestseller (a crime novella set in the world of ePublishing).

There are a few brand-name authors (Jackie Collins springs to mind) who are now looking at self-publishing but what prompted you to take this route long before the others?


I saw it coming and not many writers did. I knew that the number of e-readers in the United Kingdom would double on Christmas Day 2010. One in twelve adults in Britain would be receiving an e-reader as a Christmas present and I realised that they would be looking for cheap eBooks to buy.

What I did was to put three of my unpublished books – The Basement, Once Bitten and Dreamer’s Cat - on Kindle in late October.  I spent November and December marketing the books so that on Christmas Day I had all three in the Top 5 of the Kindle Bestseller list. Come Christmas morning some three million people got a Kindle as their Christmas present – and that’s why I sold 7,000 copies on Christmas Day, another 5,000 on Boxing Day, and 44,000 in December as a whole.

It was a total one-off and will almost certainly never be repeated. It happened because back then there were very few writers self-publishing.  Plus I was selling them at the lowest price that Amazon would allow. Plus I was able to produce a professional product - well written, well-edited and with well-designed covers.

You've enjoyed remarkable success with your eBooks - tell us a little about that.

I’ve sold more than half a million eBooks, but that is split between my self-published eBooks and the eBooks that my publisher Hodder and Stoughton have been selling.

In 2011 I sold more than 150,000 copies of The Basement through the UK Kindle store, more than 80,000 copies of Once Bitten and almost 20,000 copies of Dreamer’s Cat.  Hodder have sold more than 120,000 copies of the eBook of Hard Landing, the first in the Spider Shepherd series, plus another 40,000 or so of my backlist.

Amazon then took over The Basement and Once Bitten and published them through their Amazon Encore imprint. Early this year The Basement topped the US and UK Kindle charts.

It's safe to say the old stigma attached to self-publishing seems irrelevant now but did it concern you at the outset?

Never.  I’ve always been a big fan of self-publishing. I really hate the way so many of today’s self-published writers call themselves “Indies” , as if they were ashamed of calling themselves “self-published”.  I try not to use the term “Indie”.  There’s nothing wrong with describing a book as “self-published”. Books that were self-published include  Marcel Proust’s Remembrance of things Past,  James Joyce’s Ulysses, Beatrix Potter’s The Adventures of Peter Rabbit, by Beatrix Potter and John Grisham’s A Time to Kill.

I’m a writer and my mission in life is to write – and sell – as many books as I can. I really don’t care how those books are sold. I don’t know anyone who has as many legs to their publishing career as me. I self publish paperbacks in Asia, printing books and delivering them to retailers. I have a traditional publishing deal with Hodder and Stoughton. I self-publish eBooks through Amazon and Smashwords, and Amazon publish five of my books.  That was quite deliberate – it’s a bit like going to the roulette table and betting on zero, double zero, black and red. Whatever happens, I’m going to win. It works for me because I have a backlist of thirty novels and am capable of producing three or more novels a year. It wouldn’t work for everyone.  In a way the timing was perfect for me – I’m old enough to have a long backlist but young enough to be able to produce a lot more books.  A young writer starting out doesn’t have a backlist, and a writer at the end of their career doesn’t have the energy to do what is necessary to succeed in the new world of ePublishing.

How did your traditional publishers take to your ePublishing ventures?

I was lucky in that Hodder and Stoughton have been very supportive from the start and they were quick to realise that success in the eBook market would spill over to increased sales of my Hodder books. That is exactly what has happened – selling cheap (but good) eBooks has brought in thousands of new readers who have gone on to my the rest of my books. In effect my low-priced eBooks have been a marketing tool, though it’s fair to say that they have also turned into a decent revenue stream, too.

The self-published books of mine that did really well – selling 350,000 eBooks in total – were The Basement, Once Bitten and Dreamer’s Cat.  But Hodder and Stoughton did just as well with my first Spider Shepherd book, Hard Landing, selling around 150,000 copies of the eBook.

Some of your successes were with books that had been rejected traditional presses: do you see that as a failing on their part?

Not really. The three books – Once Bitten, The Basement and Dreamer’s Cat – were really novellas and therefore unlikely to be published traditionally.  Even if Hodder had published them I doubt that they would have sold many.

How do you think the traditional publishing world is coping with the shift towards eBooks?

Not well, so far. I don’t think they understand pricing for example. They don’t get that readers are not happy about paying more for an eBook than a paperback. And they don’t understand the importance of marketing. They think that the key to success is still an article in The Guardian’s book pages and it’s not. Those days are gone.  The readers have moved to the internet and if the publishing companies don’t follow they will lose them.

Is publishing in a healthy state?

They’re still making money. People are still buying books. Whether that continues to be the case remains to be seen.  For sure the publishers that don’t adapt will go to the wall, there’s no question of that. Ditto bookstores. And that’s especially true for agents. The ones that don’t adapt will die. Writers are the ones most likely to benefit from ePublishing because for the first time they can pretty much deal direct with readers.  To be honest it’s not ePublishing that I fear it’s the fact that a growing percentage of our country don’t – or can’t - read books. That’s the real threat that writers face.

How do you feel about agents moving into publishing?

Agents are getting desperate, which is why they are looking at publishing eBooks.  Agents aren't publishers, so no writer should think about using an agent as a publisher. They don't have the skills or the staff.

And what about the sale of translation rights, we need specialist agents for that unless you're looking at authors taking on the translating side too, is that an option?

So far as eBook translation rights go, you can deal with overseas publishers yourself. No need to pay an agent 15 per cent!



:: Find out more about Stephen Leather at: http://www.stephenleather.com/

Thursday, 14 June 2012

OUT NOW: The Storm Without

Yes, folks, I know it hardly seems any time at all since MURDER MILE was being launched but today is indeed another launch day ... for THE STORM WITHOUT this time. 

So, what's the story this time? I hear you ask ...

Still recovering from the harrowing case that ended his police career, Doug Michie returns to his boyhood home of Ayr on Scotland's wind-scarred west coast. He hopes to rebuild his shattered life, get over the recent failure of his marriage and shed his demons, but the years have changed the birthplace of the poet Robert Burns. 

When Doug meets his old school-day flame Lyn, however, he feels his past may offer the salvation of a future. But, Lyn's son has been accused of murder and she begs Doug to find the truth. Soon Doug is tangled in a complicated web of corrupt politicians, frightened journalists and a police force in cahoots with criminals. 

Only Burns' philosophical musings offer Doug some shelter as he wanders the streets of Auld Ayr battling The Storm Without.

Now, just to rock things up a bit this time, THE STORM WITHOUT is being issued by two separate publishers: Blasted Heath for digital in UK and USA and McNidder & Grace for paper in UK and USA. And, yes, they have different covers. But to avoid any confusion, it's the same book!

The big news is the price of THE STORM WITHOUT in digital formats, all my previous books have been at the pricey end of the digital market, but this one is available at near bargain-basement prices of: £1.99 UK and $2.99 US.







REVIEW: Truth Lies Bleeding

The very fine Ian Ayris has reviewed my first DI Rob Brennan book, TRUTH LIES BLEEDING over at his blog, and he has some nice things to say ...

"A top notch read that'll keep you rivetted to your seat till the very end. Fantastic stuff."

Read the whole review ... here 

Monday, 11 June 2012

PUSH-UPS: H.J. Hampson

So, what you pushing right now?
My debut novel, The Vanity Game, coming out as an e-book on June 11th.

What’s the hook?

Beaumont Alexander, a van and arrogant premiership footballer, goes to a celebrity party where he commits an act of violence that puts him on a collision course with a shady cartel of gangsters. His cosy celebrity lifestyle is about to spiral horribly out of control…

And why’s that floating your boat?

Because I am fascinated by the darker side of fame, and what fame means, and how the image of a famous person relates to the actual being. The book is a satire on celebrity culture, which I just felt was so ripe for satorising.

When did you turn to crime?
When the money I made from writing failed to pay for my burgeoning cough medicine addiction…. No, seriously, I have to admit I never really thought of myself as a crime writer until I got signed to Blasted Heath.  I just thought of myself as a writer of darkly humorous fiction with murders and stuff in it. I’ve always been fascinated by crime and murder though – the gritty seams of society.

Hardboiled or Noir, classic or contemporary?
I read a lot of different stuff, and I’m not sure what you would class as classic, but I do veer towards books by dead writers I suppose.

And, what’s blown you away lately?
It’s rather late, but I’ve only recently properly discovered Margaret Atwood. She is a phenomenally good writer.  I thought The Handmaiden’s Tale was chilling – the way she describes how women’s rights were so easily eroded to create the dystopia in which the main story is set.  It’s a very relevant book for today’s times.

See any books as movies waiting to happen?
I write screenplays as well as novels, and I’ve always fancied having a go at adapting DM Thomas’ The White Hotel myself.  Saying that, I dislike the dominance of adapted material in film. I’d like to see production companies developing more original screenplays. Though just to contradict myself again, I wouldn’t say no if someone offered a load of money for the film rights to The Vanity Game.

Mainstream or indie - paper or digital?
All – I love my Kindle but I still read old fashioned paper books as well. If a story appeals to me I don’t care if it is mainstream, indie, paper or digital.

Shout us a website worth visiting …
www.beaumontalexander.com – Beaumont Alexander, The Vanity Game’s protagonist, in real time.

Finally, tell us any old shit about yourself …
·    I’ve never seen Star Wars.
·    When I was younger I was so obsessed with the band the Manic Street Preachers that I got a line from their song ‘Faster’ tattooed on my hip.
·    I have been an audience member on Top of the Pops.
·    On the last holiday I took, an internal flight almost crashed upon landing and there was a moment when I really thought ‘well, this is it’. Afterwards I wondered whether, if I had died in a plane crash, The Vanity Game would become one of those weird cult books because I never got the chance to write any more.

:: Find out more about the author at : http://blastedheath.com/?page_id=5608

Friday, 8 June 2012

Burns Art Festival - Extended TV feature

I gave a little interview to the local tv station at the recent Burns Fest in Ayr: follow the link to hear a bit of prattle about THE STORM WITHOUT ...

Burns Art Festival - Extended feature

Thursday, 7 June 2012

In Krychov’s Room by Steve Slatter

Getting into Krychov’s room at the Petersburg Hilton was easy. A dark suit, a peaked cap, a parcel under my arm, and a smile for the blonde on Reception. I even let her chat me up a little. Nice white blouse – buttoned right up, unfortunately. Outstanding figure underneath. While I was letting my eyes and brain argue over her cup size, I could hear her pretty head deciding about me: maybe shoot a line in my direction, maybe play it cool instead. Wondering, is this sexy courier guy gonna ask me for a date, or what?
In the end, she said nothing, but handed over Krychov’s key accompanied by her own name and phone number written on a post-it. Nadia Alenikhova. Nice name. I made a play of kissing the yellow square of paper. She giggled in response.
Room number 416. I took the stairs rather than be seen loitering.
It was easy to find. Fifth door on the left. I passed no one.
The door opened and clicked behind me – like a rat trap. A buffoon in a suit and a pockmarked face was sitting on the bed facing me. Worse than that, he had a gun in his hand. Worse still than that, he spoke English – kind of.
“So we meet, Tovarish Jeffers,” he said.
I wondered why he thought I was Jeffers. He was my partner. The one they’d taught to swim in the Neva River the previous evening – with bricks in his shoes.
“I’m Mulroon,” I stalled. “You’ve already spoken to Jeffers.”
“Well, my comrades have questions for you, whoever you are, Mr British Agent.”
I noticed the gun wasn’t silenced. I wondered if it was even loaded. Noisy assassinations in five star hotels tend to get noticed in Russia these days. Not like the old days when everyone was deaf and the blood just soaked into the red carpet.
“Suppose I don’t want to answer.”
“You will, Tovarish Jeffers.”
“Mulroon,” I repeated. “And for the record I’m Irish, not British.”
“You mean, you are – how do you say it?”
“Freelance? Yeah. I’m in it for the cash. One side or other is always willing to pay. Wanna join up?”
He was saved from answering by a knock on the door. Neither the ape nor I answered it. The lock turned and in wafted the blonde receptionist, Nadia. I noticed three of her buttons had come undone at the top of her blouse, and the bra beneath it had mysteriously vanished. Her breasts looked an even nicer shape with less starch in them.
“I came to see how you were doing with that delivery…” she said to me before she spotted the scarred face on the bed, and the gun attached to its outstretched hand.
She gasped, but at first I misunderstood why.
“Sergei?” she said.
“Nadia?”
“You two know each other?”
“Sure,” he said.
“Not really,” she said.
“She’s my wife,” said the ape.
“Ex-wife. Right now he sleeps with some wide-eyed Latvian lap dancer.”
“Eliisabet is Estonian.”
“Same damn thing.”
“Listen, if either of you two lovebirds manage to get this agreed between you, and fancy a drink in the bar in the next day or so, I’ll be there, OK?”
Sergei’s mouth opened and closed again. I guessed he wasn’t programmed for this level of complexity. Nadia was out of the room before me. The door slammed behind us. I grabbed her hand and we took the stairwell back to Reception.
“You still want that drink?” I said.
“I’m on duty, but…”
“I know. You get off at 6.30am or some such.”
“4.30,” she said.
“Same damn thing,” I said, and we laughed together. She had even white teeth and a symmetrical pink tongue.
“The way I drink I’ll probably be no use to you by then,” I said, my lips close to hers. “But you’re welcome to check by just in case.”
I turned away and headed into the bar. When I’d been served, I looked back to see she was still standing staring in my direction. I blew her a kiss, and she began re-buttoning her blouse.
I watched her rear retreat behind the reception desk, and after a time Sergei emerged from one of the lifts. He’d put his gun away, but he was still wearing his scars. I waved at him and pointed at my glass. He declined my offer. I assumed he had to hurry back to HQ to get fresh orders.
Meantime I figured the Petersburg Hilton would be safe to get tight in. I threw back my first drink of the evening, thinking of what Nadia would be like in bed. Trying to imagine her lying beneath Sergei. Even on top of him. But, however I pictured them, it seemed a mismatch.
I was still conjuring with that image when Sergei came back with a friend. They let me finish my drink and muscled me into a convenient alleyway. I have no further recollections after that.
Next thing, I woke up in a hospital bed with Nadia’s blouse-clad breasts hovering over me. She had a lopsided look to her face. She’d been crying at the very least.
I wondered how I’d escaped. I must have been able to convince Sergei’s friends I really was a nobody. Either that or my sweepstake number came up. Turned out the latter was closer the mark.
“Sorry, I never got to call you,” I said to Nadia through the searing of several broken ribs.
“I told Sergei we’d slept together every night for the last month. Gave you an alibi, no?”
I contemplated her face more closely. Beneath the make-up there were definite signs someone had recently tried to rearrange it for her.
“Sergei slapped you up for that?”
Silently Nadia leant over and kissed my forehead. OK, maybe she thought I was just her airline ticket out to the West, but what the hell? I pulled her to me – and decided I could put up with the pain.

REWIND << This story first appeared in the original Pulp Pusher site.